Q: Should I wait to move on to Roll out 2 until I can play every note in Roll out 1??? If I EVER hit the low C it will be something I have NEVER been able to do....
A: No. I always say do what you CAN do, keep trying to do what you CAN'T, and MOVE ON. Over time you will be able to do every note of every exercise. In the mean time, there's no need to hold yourself back unless you're trashing your chops overdoing things. But, you'll have to be the judge of how much is too much.
Q: Can I do the Roll ins and LCS with less air pocket? I find I can get more clamp and squeak by keeping the air pockets to a minimum...
A: Yes, you can. That's how I did them for two years and I progressed very nicely. But . . . I encourage you to continually strive to play RI's with one or more air pockets (in upper lip and/or lower lip and/or cheeks). If you never learn how to do the air pockets, you'll still play well and progress quite nicely, but you'll miss some additional benefits that can only come from playing RI with air pockets. The benefit of playing RI with air pockets brings a whole new shape & feel to your lips that are so "inside the mouthpiece" I can't even explain them. It's kinda like religion, it's one of those things that simply must be experienced to understand. HAH! Do it as often as you like. You will have to be the judge to determine how much is too much. I had an interesting experience with LCS when I first came back to horn. I had been playing for only a few months when I joined a community band. There was a younger man, Andy, sitting beside me who came back to horn about the same time I had. I was practicing 3 hours a day; Andy only practiced 30 to 45 minutes a day. I was killing myself to play a fourth line D; Andy was playing above the staff with ease. It was baffling to me. I chalked it up to his youth and strength. A few months later I found BE and read about LCS. I went to band rehearsal and demonstrated LCS to him. When he saw it he said, "Oh yeah, I do that all the time!" "Why?" I asked. He explained that he does LCS, not as an embouchure exercise, but for fun when he plays silly games with his 2 year old son. He also explained that he had been doing LCS since his childhood because that 's how little boys make "naughty noises" to embarrass their mothers, teachers and the girls! I carefully watched Andy play his horn, and observed that he bunched his chin upwards as he pushed his lips together to play. When it came to embouchure & the high range, Andy was just a "natural." Well, guess what? My practice habits and BE paid me big dividens. A few months later, I had all the range I needed and then some.. as if I were a "natural." This was one of several experiences in my early days of studying BE that served to convince me that Jeff Smiley knew what he was talking about. Jonathan, I can tell by your questions that you are going to progress very nicely with BE! You're grasping the concepts very well. I may want to use these questions either on my blog or a "BE for French Horn" email. Would that be okay with you? Valerie
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